Have Vogues Will Travel

Michelle Jonas

 Michelle Jonas buys a half a dozen Vogue magazines from different countries.  A designer with a past that comfortably fits into her present: by 16 she had lived in seven different countries, thought each of them home, worked in New York for Harper's Bazaar, then Vogue Magazine where Ralph Lauren met her and asked her to join his company because he thought she was "the epitome of the Ralph Girl."  After an acting career in Hollywood, she is now the owner and designer of a travelwear company with styles "classically original, playfully confident, and comfortably sexy."

Christian Audigier Drops In

Christian Audigier

With bodyguard, cameraman, and assistant, Christian Audigier arrives.  The celebrity designer-entrepreneur whose tattoo driven Ed Hardy brand so successfully projected the showmanship and aesthetic of the P. T. Barnum era, is about to launch something new.  In fourteen minutes he gathers thirty choice books but pauses long enough to observe a space missing on our gallery wall of famous designers. "I'll send you a photograph to put me up there," he says.

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The Shapes of Things to Come

Not a Toy, published by Pictoplasma is a book that explores ways the human body and its adorning clothes can be transformed into grotesque hybrids by mixing mascots, comic characters, the circus, the zoo, and commercial gadgets.  The result is a fantasy of return to that funny and disturbing mental process when the baby, itself a body in transition, first encountered and identified with objects, toys, and animals. "Avant-garde fashion, like art, is increasingly becoming a reflection of the repressed tensions and discrepancies that mark contemporary culture."  Imagine the mind transformed into a stomach in which all junk mail, every photographic image ever seen, all purchases made and rejected, remain undigested but randomly re-figures the body.   Mr. Wells, Help! "The body of mankind is one single organism."

Well Worn Art, A Tale of two Worlds

Valerie Hooe

Valerie Hooe founded her company, Well Worn Art, in 2006, having seen this, done that in New York.  Now she travels the world and visits the Bookstore [she often spends an hour or two with us] looking for those aesthetic elements of the past/vintage, that still speak in present fashion.  An "eclectic kind of gal" style for her is uniqueness, one of a kind flair, which will be worn by women with an independent spirit eager to "grab the best things life has to give."

Ximena Valero and the Art of Transformation

Ximena Valero

Ximena Valero, the acclaimed designer, calls her line "Transformables".  I asked, where did the concept come from?  "I was working in New York and began experimenting with folding garments into shapes, and how the shape created from the folds inspired the next fold and then shape."  This reminded me of Jackson Pollock, entranced by the free, impulsive and immediate drips proceeded to the next ones in a controlled accident.  She smiled and took from her purse a fabric swatch with patterns echoing the great American abstract expressionist painter.


         
                               Transformable in Action                                        

Stop Staring!

Eva and Alicia Estrada

The sisters Alicia and Eva Estrada, CEO/Designer and Assistant Director respectively of Stop Staring! admired for their "retro-evolutionary" dresses came to the bookstore hunting for anything new about the '50's, the '40's, and the roaring 20's.  I asked Alicia, how did you come to call your company Stop Staring!  "In high school I wore outlandish clothes of my own design and other kids constantly made fun of me, so one day I wrote across my skirt 'STOP STARING', and promised myself if I ever became a fashion designer, I would call the line after that moment of confident defiance.

Fashion Statements (2) Wittgenstein and Clothes

“Language disguises the thought, so that from the external form of the clothes one cannot infer the internal form of the thought they clothe, because the external form of the clothes is constructed with quite another object than to let the form of the body be recognized.”   

Ludwig Wittgenstein
                                                                                      
                            Student Fashion Show Wittgenstein House, Vienna 2010